Loving Salisbury!

The end of week six at the Old Masters training, following our half term the week before – a much needed rest from pretty much everything. I have ramped up my hours working on commissions for customers at the Wren Hall too. I do this before and after my training each day. Starting artwork before 8am was initially quite traumatic for this night-owl, but I am starting to get used to it now, and enjoying working high up in the building, with old leaded windows overlooking the stunning Salisbury Cathedral. The tutor Nick is trying to get the heating working up there, but I don’t mind working in the near Arctic conditions – the room has it’s own climate much like my home! The odd hot drink to hold when my hands start to go numb works wonders.

I booked a tour of the cathedral tower with a friend from the course, if anyone ever gets the chance to do this, I highly recommend it. Apart from the almost unbelievable facts about how it was built during the medieval times, the views from the spire are just incredible. The building seems a lot higher once you get up there. Around 80,000 tons of materials were used, and apart from the spire, it was built in just 38 years! The medieval transport could only carry 1 ton per trip…. After climbing many many steps, the inside of the spire was a seemingly higgledy piggledy tangle of huge pieces of wood, and very tall indeed.

It has also been a week of new orders – I have 3 more confirmed and there are a lots which will unfold over the next few months, a few photo-shoots need an outdoor backdrop when the weather improves and spring is here.

I am planning more sleep this week, and to get on top of my paperwork, I blink and seem to have another 5 tasks to get through. The ‘things to do’ lists are quite long but I am on it! Surprisingly considering that February is my least favourite month, and the urge to hibernate is quite strong. Sitting at home typing this with the wood-burner gorgeous warmth I am thankful for being cosy.

And no art blog is complete without an image of my work, so here is an oil painting of a very cute dog, 12″ x 16″. The photo-shoot happened in the gallery, and it was such a hot day last summer. The requirement was for his mouth to be closed, however, with the sun streaming in my huge windows, and the dog having just come back from a walk, he flopped on the floor and spent nearly the entire time panting with his tongue hanging out. I luckily captured the split second when he was looking just right.

You can see him and more animal portraits including a newly added image of Canford Cliffs being ridden by top jockey Richard Hughes on the gallery page.

Pet portrait of a dog in Oils

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A new year, a new website and the start of a new road to some long-held goals.

Hello and welcome to the first blog post on my new website. My lovely partner, Vlad, has built me a new website – his first without using a ‘build your own’ type. There is a lot to do to make it the all singing all dancing website we dream of, but it is well on its way.

On the 5th January I started full-time study at the Sarum Studio. The tutor, Nicolas Beer, was senior instructor and artist-in residence at the famous Charles H. Cecil Studios in Florence for 20 years. He teaches the sight-size method employed by artists such as John Singer Sargent, Philip de László, Sir Thomas Lawrence and Henry Raeburn.

I had the opportunity to train at one of the studios in Florence a few years ago but decided to buy the gallery instead. Now the training has come to Salisbury, in a building overlooking the beautiful cathedral. I plan to study full-time for the first two terms this year, giving me the second half of the year to concentrate on my other plans. I will do the same in 2016 as well.

I will keep you up to date with my progress with this blog which will include lots more photographs!

Below is a charcoal drawing from a cast. Just a work in progress, the complete image will be posted soon.

Cast Drawing in Progress at Sarum Studio

Fiona Stolze and James Meiklejohn have both challenged me to post 3 images of my work each day for five days on Facebook. This will start on Monday, so make sure you keep an eye on my Facebook page.

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